Forget the fashion minimalist wave initiated by Raf Simons: After being subjected to a stylistic grammar Jansenist, the red carpet regulars reconnect today with a 100% glamor aesthetic, that showcases the trains of princesses ...
If there was a commonality to the Oscars, the Met ball and the Cannes Film Festival 2012, it would certainly be invited to the propensity of the plebiscite gimmick "behind". Far from being easy to handle, but the Minister may magnify both those who volunteer that serve them. A fact well illustrated by the recent Cannes red carpet ...
We note first that when said trolling accompanies a dress sheathing the body and discovering the wide shoulders, it generally manages to balance all of the holding, the mix between the opulence of the tail and the rest of sexyness component of the toilet a silhouette admittedly unconventional, yet becoming.
Between jeweled scabbard and riot of ruffles, the Marchesa dress Eva Longoria and sublimated the notion of glamor, while the dress of the Chinese Christopher Bu Fan Bingbing conjugua wonderfully refined Asian and Western excesses.
Bold but perfectly calibrated, these designs proved equally flattering qu'hypnotisantes. Only regret that their excess is somewhat noisy approach of interested ...
Note moreover, wanting to make a toilet majestic, sometimes the designers are fishing with the bathwater. The theatricality of the Louis Vuitton dress Berenice Bejo was beautiful and give birth to a great visual effect, the young actress appeared in no less a little lost in this impressive mass of tissue carmine.
Not to mention the character covering the front and flared from the size of that dress, which ended to burden the figure of the actress from The Artist ...
Ultimately, only the lovely Diane Kruger actually managed to rhyme the famous gimmick with princely pace, grace and lightness. Cloak behind and between the muslin of her dress green water Giambattista Valli gave him indeed as sweet elegance Hellenic qu'évanescente, without a moment hinder his approach ...




No comments:
Post a Comment